Bâtard

Stromae's song 'Bâtard' delves into the complexities of identity and societal expectations. The lyrics present a series of dichotomies, forcing the listener to choose between binary opposites: right or left, macho or homosexual, feminist or submissive. This relentless questioning highlights the pressure to conform to societal labels and the difficulty of fitting into predefined categories. Stromae's use of these binaries serves as a critique of the oversimplification of human identity and the societal tendency to pigeonhole individuals based on superficial traits or beliefs.

The chorus, 'Ni l'un, ni l'autre, Bâtard, tu es, tu l'étais, et tu le restes,' translates to 'Neither one nor the other, Bastard, you are, you were, and you will remain.' This line encapsulates the essence of the song, emphasizing the rejection of binary labels and the acceptance of a more fluid, complex identity. Stromae asserts that he is neither one thing nor the other but a blend of many influences and experiences. This perspective challenges the listener to embrace their multifaceted nature and resist the pressure to conform to societal expectations.

In the second verse, Stromae criticizes those who claim to be above the fray, those who refuse to take a stand or engage with societal issues. He mocks the idea of being neutral or apolitical, suggesting that such a stance is a form of complicity. By stating, 'Monsieur se la pète plus haut que son trou de balle,' he points out the arrogance of those who believe they are superior for not taking sides. This verse underscores the importance of acknowledging and addressing societal issues rather than pretending they don't exist.

Stromae's 'Bâtard' is a powerful commentary on the complexities of identity and the societal pressures to conform. It encourages listeners to embrace their unique blend of traits and experiences and to engage with the world around them rather than retreating into neutrality.