41 Películas Porno

Un Pingüino en mi Ascensor's song "41 Películas Porno" is a humorous and nostalgic reflection on the 1990s videoclub culture, intertwined with themes of sexual taboo and societal perceptions of pornography. The song begins by setting the scene in the 90s, a time when videoclubs were still popular, and Björk was singing with The Sugarcubes. The protagonist is selecting movies for the weekend when the girl he desires walks in, only to be shocked by the titles of his VHS tapes.

The song's lyrics are a playful and exaggerated list of pornographic movie titles, each a parody of well-known films. Titles like "El silencio de los conejos" (The Silence of the Rabbits) and "Salvar la polla de Ryan" (Saving Ryan's Privates) are humorous twists on mainstream movies, highlighting the absurdity and creativity often found in adult film titles. This comedic approach serves to both entertain and critique the stigmatization of sexual content.

As the girl sees these titles, she realizes that the protagonist is not the intellectual she might have hoped for but rather someone with a peculiar obsession. The song humorously portrays the protagonist as a sexual deviant, capable of watching 41 pornographic films. This exaggeration serves to underscore the societal judgment and misunderstanding surrounding individuals who consume adult content. The repeated refrain, "El cartero siempre llama con el rabo" (The postman always rings with his tail), adds to the absurdity and comedic tone of the song, emphasizing the clash between societal norms and personal desires.

Ultimately, "41 Películas Porno" is a satirical take on the clash between societal expectations and personal interests, using humor and nostalgia to explore themes of sexual taboo and the cultural landscape of the 90s. The song invites listeners to reflect on their own perceptions of sexuality and the often hypocritical nature of societal judgments.