Darken

Zutomayo's song 'Darken' delves into the complexities of self-discovery and the struggle against inner darkness. The lyrics paint a vivid picture of a person grappling with their identity, fears, and the desire to overcome personal limitations. The trembling voice that wants to reach out but is held back by misunderstandings symbolizes the internal conflict many face when trying to express their true selves. This struggle is further emphasized by the line '成りたくて成らせないが息絶えても,' which translates to 'Even if I can't become what I want to be, I won't end it until I confirm it.' This determination to keep pushing forward despite obstacles is a central theme in the song.

The song also touches on the idea of finding solace and acceptance through connections with others. The lyrics '君に出会って許されてく' ('Meeting you, I am forgiven') suggest that encountering someone who understands and accepts you can be a powerful force in overcoming personal struggles. This theme is juxtaposed with the recurring notion of an 'インスタントな存在' ('instant existence'), highlighting the tension between fleeting, superficial interactions and deeper, more meaningful connections.

Throughout 'Darken,' there is a recurring motif of darkness and light, symbolizing the battle between despair and hope. The lyrics '奴が暗く黒く塗りつぶしたとしても 決して奪われない' ('Even if it is painted dark and black, it will never be taken away') reflect a resilient spirit that refuses to be consumed by negativity. This resilience is further reinforced by the lines '疑う必要はない 信じてる必要もない 連鎖よ続け' ('There is no need to doubt, no need to believe, let the chain continue'), suggesting a continuous journey of self-discovery and growth, unbound by external validation or skepticism.

'触れたくて震えてく声が' ('A trembling voice that wants to reach out') encapsulates the vulnerability and courage required to confront one's inner demons. The song's exploration of these themes resonates deeply with listeners, offering a poignant reflection on the human experience of navigating through darkness to find light and meaning.